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Become a Featured Author in Our Next Anthology
Consider the many shapes we see in our day-to-day: ants crawling in a line towards a stray crumb, a soldier’s gnarly scar won in battle or the weapon that made it, your first childhood toy or the shape of its missing. Explore the shape you take within your family, or among friends. Look beyond shapes as geometric figures. Use the concept of shapes to give form to the abstract. What does love look like when it is held in your hand? What is the texture of happiness, or the weight of anticipation? What shape does sadness take? These are the undeniable truths of our lives–shapes of living–and we want yours.
A shape could be as abstract as a dirty kitchen symbolizing love, or a city skyline as the shape of loneliness. What shapes of life can you sculpt? We want your fiction (any genre), poetry, nonfiction, or essays (1,500 words max). Of course, rough drafts are welcome! Fifteen finalists will be published in a printed anthology book alongside original artwork and celebrated by friends, family, and fellow authors at a book release party in May 2027 at the Orlando Museum of Art.
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Inspiration
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The choir rows curved like a kidney
bean. Requiem is the sound of my
heart-throat filtering absence. I am not
used to being alone. I want to hum-
home my sisters. All I see is where
you aren’t: Nyx Espresso smudged
on the rim of your Taco Bell straw.
The ice-thaw half-chunked in the sink
drain. New cup to recycle. The last
curve of your body-imprint in
the mattress pad. Your phantom
flip-flops by the door. The anchor-
sink of your spoon in Mom’s grits.
The tremble of her pinky finger when
she calls to ask about college. I miss
your black-blue hair dye in the trash
can. The leftover tint in the bowl.
The dome of your hands over my
cheeks. How I tried to shape my
lips into yours. I sing to feel closer
to you. The pinks of our mouths
holding out a whole note. We are left
loving
I ate playdoh once. When I was a kid and Mama was still teaching the littles. She hunched over the stove with a box of strawberry cake mix and a hot pot of oil and salt. It smelled like the real deal. Mama schlupped the warm pile of pink onto the table and it was the temperature of fresh bread, the scent of strawberry jam just strained of seeds. By the end of the year, it will have gathered so much oil, dirt, and sand from the playground it becomes gutterwater grey, but right now, it is the color of laffy taffy. The grease of it stuck to my hands, and I could only play on the plastic cutting boards used for dicing fruit. I do not remember rolling it between my palms or pressing cookie cutters, but I do remember how the gleam of it clung to my hands. Mama tells me it must’ve smelled too good, and that is why I gnashed it between my molars. Mama says I sputtered and pushed it away, sliding the cutting board to her and scraping my tongue against my teeth. Mama says it melted into the cracks and crevices of my toddler mouth, choking me with salt every time I swallowed. She held me against her clavicle—the collarbones I used to rev like a motorcycle—and carried me to the sink. I don’t know how we got those stubborn bits out. These days, I shave my till they’re freckled pink and eat the crusts on every piece of toast. I gather the littles for snack time. I move three hours South. But Mama still calls me to her lap if something is stuck in my throat and I can’t swallow it down. When I’m in town, we sit on the back porch. We compare the back of her hand to mine. I imagine her as the sweet playdoh we made, her perfume the strawberry cake mix, the creases of my palm and fingers fossilized in her giving skin. She becomes the shape of my missing. Daddy calls us in for dinner, and when I stand, I see the seam of my shorts branded into the top of her thigh. Pink indentations webbed like an open, greasy palm.
I remember Dad in the abstract. His crumpled jacket by the laundry bin, heavy jean, smoke-smell and damp with work. The calluses on his palms, round and thick like cigarette butt burns. The buzz of his voice against the crown of my head, how I felt the sound through my hair, without edges, as he read me poetry. What did I know of love’s austere and lonely offices?
Dad petted my back to wake me, and he was smoky, blurred at the edges in pre-dawn light. Before work, he pressed a kiss to my forehead and this is how I remember him, the outline of his chapped lips, the crows feet by his eyes, cracked desert sand.
In death, Dad appears in the abstract. He becomes shapes and colors.
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Your Words Could Be Next!
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